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Emma Stenhouse

Indigenous Australian artist

S4Ep100

Emma Stenhouse

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This week on the podcast we are celebrating 100 episodes ! Hip hip horray! My guest is Emma Stenhouse, an Indigenous artisan and Ngarrindjeri Woman who is the mother of 3 children.


Emma can be described as many things - indigenous artisan, Ngarrindjeri Woman, artist, weaver, printmaker, designer and sewist. Emma Stenhouse is taking the first steps on her journey in belonging and becoming connected with her Ngarrindjeri heritage.


Her work is predominantly inspired by nature and connection to country using elements of contemporary art and traditional Iconography. Emma ignites the flame of love for Country in other hearts and minds. A multifaceted creative, she explores diverse practices. Each piece is braided with learning, exchange between artist and viewer, a continuation of culture - a platform for cross cultural exchange


An experienced early childhood educator, Emma imparts her knowledge of culture, implementing programming including traditional indigenous creative practices guided by Gunditjmara elders. A gatherer and sharer of knowledge, she uses this to guide her own journey. She builds capacity for others to learn and develop their own connections.

Emma's story spans across four decades, desert and sea; as she explores the challenges and monuments of her cultural growth, connection to Country and being an Artist. Moving through time and space, from the bush to the beach her stories are formed by her deep relationship to land and guided by strong female role models in her community.


**Emma’s epiosde contains mentions of the loss of a child**


Emma - website

Podcast - instagram / website


If today’s episode is triggering for you in any way I encourage you to seek help from those around you, medical professionals or from resources on line. I have compiled a list of great international resources here


Music used with permission from Alemjo, my new age ambient muic trio.


When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies.

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Podcast transcript at the bottom of the page

Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast


I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch! I love meeting and chatting to mammas from all creative backgrounds, from all around the world!

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Thank you!

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Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region.

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Welcome to the Art of Being a Mum podcast where I, Alison Newman, a singer, songwriter and Aussie mum of two,


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enjoys honest and inspiring conversations with artists and creators about the joys and issues they've encountered


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while trying to be a mum and continue to create.


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You'll hear themes like the mental juggle, changes in identity, how their work's been influenced by motherhood,


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mum guilt, cultural norms and we also strain to territory such as the patriarchy, feminism and capitalism.


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You can find links to my guests and topics we discuss in the show notes along with a link to the music played,


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how to get in touch and a link to join our supportive and lively community on Instagram.


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I'll always put a trigger warning if we discuss sensitive topics on the podcast but if at any time you're concerned about your mental health


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I urge you to talk to those around you, reach out to health professionals or seek out resources online.


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I've compiled a list of international resources which can be accessed on the podcast landing page, alisonnewman.net.


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The Art of Being a Mum would like to acknowledge the traditional owners of the land and water


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which this podcast is recorded on as being the Bowendig people.


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I'm working on land that was never seeded.


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Hello and welcome to episode 100 of the Art of Being a Mum podcast.


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It is an absolutely amazing experience to say that I have stuck with this for 100 episodes


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and that I have been lucky enough to have 100 mums and a few dads hang out with me and want to share openly and honestly.


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And for you guys to listen. Thank you so much for being a part of this, it is such a wonderful experience for me


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and I hope it can continue. My work hours are getting a little bit more flexible so fingers crossed


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there'll be more podcasts to come. But of course in the meantime please enjoy my written article series


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which is pretty much the same as the podcast but it's completely answered by my guests.


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So I give them the questions, they write back the answers and I collate them and put it into the website.


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So you can check those out at alisonnewman.net slash articles.


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My 100th guest this week is Emma Stenhouse. Emma's an Indigenous artisan and Narangjerri woman


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and she's the mother of three children. Emma can be described as many things, Indigenous artist,


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weaver, printmaker, designer and sewist. Emma's taking the first steps on her journey to belonging


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and becoming connected with her Narangjerri heritage. Her work is predominantly inspired by nature


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and her connection to country using elements of contemporary art and traditional iconography.


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Emma ignites the flame of love for country in other hearts and minds. A multi-faceted creative


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she explores diverse practices and each piece is braided with learning, exchange between artist


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and viewer, a continuation of culture and a platform for cross-cultural exchange.


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An experienced early childhood educator Emma imparts her knowledge of culture implementing


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programming including traditional Indigenous creative practices guided by Gundurama elders.


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A gatherer and share of knowledge Emma uses this to guide her own journey. She builds capacity for


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others to learn and develop their own connections. Emma's story spans across four decades across


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desert and sea as she explores the challenges and monuments of her cultural growth, connection to


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country and being an artist. Moving through time and space from the bush to the beach her stories


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are formed by her deep relationship to land and guided by strong female role models in her community.


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Please be aware that Emma's episode contains discussions about the loss of a child.


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Throughout today's episode you'll hear music from Indigenous Australians, our First Nations people


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and this is used with permission. Thank you so much for tuning in again it is such a


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such a momentous moment such a moment to be celebrating 100 episodes and I'm so thrilled


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that you're here and I hope that you'll hang out with me again in the future.


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Thank you so much Emma it's a pleasure to welcome you to the podcast today thanks for coming on.


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Thank you very much for having me I'm very excited. Oh awesome so you're in Western Victoria


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in Warrnambool which isn't that far from me which is pretty exciting. I think you're the


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closest person I've had on apart from people in my own town. Oh wow um yeah I've been to Warrnambool


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I've been to Mount Gambier a couple of times um just for work so I haven't really been over there


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to check it out too much but um I'd love to go over and have a wander around there's some lakes


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or something close by to you guys that I want to go yeah swimming in. Yes oh yes so we've got the


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Blue Lake which is like our water source which is like the most beautiful blue sort of November


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onwards um but yes the little blue lake is that's our like local swimming spot that we love to go


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like our family um and it's like a just a just a sinkhole in the middle of a paddock out in the


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middle of nowhere and it's freezing most of the time but for a very short period of time in summer


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it's really really good so it's pretty popular. I'm used to the colds um yeah I actually don't go


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in the water here without a wetsuit so I'm a country kid I'm originally from Broken Hill so I


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grew up um in the desert and loving the heat so it's been a real um shock to the sister moving


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here and adjusting to the climate because it's always so cold. Oh yeah look I can I can relate


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to that and you're probably even colder than what we are because you're right near the ocean like


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on the ocean there aren't you? Yeah we're literally um a block back from the beach so the wind is you


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know always quite strong and very chilly. Yeah now my um mum used to have a horse that used to get


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trained over there and they'd always send us videos of the horses like paddling in the water and I


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always think god that looks so cold those poor horses. I know I know I walk the beach every day


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and um watch them train the horses and yeah often just shudder looking at them and the jockeys who


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who do actually like get in with them and oh yeah not my not my cup of tea but it is lovely to watch.


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Yeah yeah no it'd be good having that around um so do you mind me asking what what brought you to


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Born & Poop? Yeah so my husband's job we um both of us are born and bred in Broken Hill um and


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I guess we went on a bit of a five-week holiday along the south coast of New South Wales


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with our two sons um in a camper trailer and kind of did the off-grid thing a little bit


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and then sort of moved back to town and thought oh why are we living here like it's beautiful


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um and it's home but just the opportunities um for our kids just yeah I guess it's quite isolated


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to live you know um in the far west of New South Wales so yeah my husband decided to try for a


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sea change so he applied for the job in um Warrnambool and we told everyone a big fat lie


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and told them we were going to Melbourne for the weekend and we secretly came to Warrnambool and


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spent three days here and he had his interview and we you know scoped the place out and checked out


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the schools and you know wondered if it would be okay for us to live here and then yeah um


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he sort of got the call and said you've got the job and he left within sort of two weeks and


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yeah I stayed home in Broken Hill with the kids until Lucky finished high school and then we moved


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yeah just before Christmas so um I haven't looked back I mean it's the complete opposite um but I


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feel really blessed I guess to have two beautiful homes that are so different to each other


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um yeah absolutely I love that that's a great great yeah best of both worlds yeah that's it


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So you're an artist can you tell everyone what sort of style of art that you make


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and what sort of mediums that you use? Sure so um I'm an Indigenous artist um a contemporary


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Indigenous artist so I use traditional iconography um in a contemporary way I guess and my art is


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about storytelling uh and the stories that I um create I guess uh sort of speak to um my journey


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um in connecting to culture but also the strong women that have um guided me through this process


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um I guess I was I sort of always knew I was Aboriginal but hadn't had that really strong


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guidance in my life up until I turned 40 and sort of went oh this is missing in my life so


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yeah just re-established those um family connections and um yeah now really lucky


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to be a full-time artist so um as far as my artwork I paint in I paint with acrylics um but


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I kind of I can't limit myself I like to have a go at everything so um I've been making my own


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ochre um watercolour that's sort of been happening the last couple of weeks um


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with sort of guidance from lovely um Aboriginal elders and yeah I love printmaking just any


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any sort of medium I guess um I'll have a crack at it. Well that'd keep things interesting though


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wouldn't it like if you said I don't get bored at all. Yeah absolutely I've actually got one of your


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when you said on the email that your your artwork is at Green Door here in Mount Gambier and I've


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actually got um I can't remember what it was called now but it's um it's pink and it sort of


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goes in an arch. Oh yep. And there was a blue one that was kind of similar and um yeah unfortunately


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I'm not in the normal place I am for recording you'd be able to see it behind me which would


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have been really cool. I'm very grateful to Annie um she's been um a wonderful support to me but


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not just me I mean female artists in general she has just really helped just all I guess um


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yeah put ourselves out there a bit more and have that sort of


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just that kind support she's she's just such a lovely warm person and really genuine um so yeah


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I do feel really lucky and I know sort of um some of the other artists who have their work there


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feel the same so very blessed. Yeah shout out to Annie if she's listening.


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Oh dear.


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Were you always um into painting and creating growing up?


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Absolutely I can't actually remember a time where I wasn't making something so I remember


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being a kid and you know just doing little drawings for my aunties um


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my Nan was a dressmaker so I loved to watch her sew um and that's sort of something I had to go


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at I guess um in my 30s that was that became quite a passion for me learning to sew and um


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getting my all my Nan's old beautiful buttons and things like that and just um developing a real


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strong sort of sense of textile and pattern and surface design um and then I've yeah I've


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went through another stage where it was all about screen printing so I went and you know got when


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I did some courses and um yeah I had a little shop in Broken Hill where I used to run screen


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printing workshops and I'd teach you know anyone I guess from sort of five years old up to 101 was


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I went out to the nursing home and did a um we made tea towels with the residents out there and


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yeah I was really lucky to I just yeah meeting people through my arts practice is like the biggest


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gift ever. Yeah yeah and having that community and being able to share common a common interest


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with people. Yeah absolutely yeah. So you mentioned that you're you've got your Indigenous heritage


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has that always inspired what you're creating? It's always uh it's always been there in terms


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of like I've had such a strong connection to country and nature like I think that's just an


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innate thing that I've I've always had I've always been that outside kid and been fascinated in in


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nature like you know just the simple things like a leaf you know the veins on a leaf they they're


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captivating um you know dragonflies lizards all sorts of things I was the kid that was always


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came home with you know a pocket full of rocks and a stick and you know a leaf or a feather


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um so just having that real connection to country I think and then sort of you know in the last few


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years really connecting with um with my family and learning learning about culture but on so many


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different deeper levels um and just I guess allowing myself to acknowledge that knowing that


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I've always had but um haven't had the guidance from family to to help me explore that. Yeah yeah


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and yeah to sort of to take you into those deeper places and you talk about the um the traditional


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imagery that you use was that something that you'd always sort of done or has that sort of come in


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more since you sort of connected? I've always I've always had a like I don't know I've always had


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like um like questions and are wondering like where does where do I fit in in all of this


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um like growing up in Broken Hill my dad um was Aboriginal but he left so I sort of grew up um


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just with my mum and my brother and we you know we lived in a commission house on the outskirts of


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town um there were a lot of other Aboriginal people and families that lived in our street


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but I had really fair skin compared to them so I didn't sort of feel like I fitted in there


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and then I was sort of too dark to be you know like one of the white kids I suppose so I've


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always had this sort of feeling that I never sort of quite fitted in and I think that's led me to


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want to explore like in a lot of aspects of life just I've always had that curiosity I suppose


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and so yeah I've really um consciously been I guess just peeling back layers if you will trying


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to find out as much as I can not just about my family but um you know but culture in general and


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and the traditional practices and how they've um how they've evolved over the years um you know


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things even though we're still practicing the same art forms they've obviously you know evolved and


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changed so I guess celebrating that and that learning where it comes from because that's


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I guess that's the essence of it for me like that that the traditional stuff.


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Mm-hmm yeah and I think um look coming from someone that has no education sort of not a


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great understanding of Indigenous culture I like I love the patterns and the colours that people


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use like the contemporary Indigenous art and it's just it seems so um flippant to just say


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that I like the patterns and the colours because it's such a there's so much deeper meaning in that


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and the story that that that it actually tells if you know what I mean like there's just so much


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depth in this that it's like you can't just look at it and go that looks nice you know what I mean


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that would be just doing it like a disservice if that makes sense. Yeah absolutely yeah um and


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that's interesting just because I don't know I think you know in the past sort of 10 years people


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are becoming more aware and more connected to Aboriginal art like it's been viewed you know


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around the world with such like wonder and you know the beauty of it but I guess people are


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understanding that connection now so when we paint you know we're painting our story so um


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yeah I think I think it's changing at the moment and that's really nice because that allows us to


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connect with each other and I think you know after COVID we're all sort of like


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leaning into that a bit more. Yeah looking for that looking for that connection and


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meaning deeper meaning of life I think in general yeah people are striving for yeah.


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So you mentioned uh your children briefly how many children you said you had two boys?


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Yeah so I have um my eldest is 18 um and he's just finished high school and I feel really old but I


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have an 18 year old son and can't believe it because it just happened in the blink of an eye


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um and I have a 12 year old um son as well and he's just started high school so


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it's that's all very new um and I just do want to acknowledge like I also have um a daughter who


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would have been um 15 this year and she yeah she passed away um the day that she was born but she's


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sort of been a very big part of my life and I acknowledge her I guess in all that I do um


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having that experience um sort of changed me profoundly in a lot of ways but it's given me


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the perspective that like life's short and if you want to do something then you just you should just


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jump in and have a go like you don't really have anything to lose you like what's the worst that


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can happen I feel like I've already been through the worst so yeah you know just having that


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different perspective and and again you know that's what I guess that brings me back to like that


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wanting to connect to family and knowing more about myself and where I've come from and


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yeah I'm sorry sorry to hear about your daughter that's thank you um thank you for sharing it


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with us it's a it's you know it's a heartbreaking thing to live with um


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I guess all I can say is that I've tried to focus on the positive things that have come from that


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like the beautiful relationships that I've um have with other women and families who have been


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through the same thing um and just my work with Red Nose so I um I work with Red Nose


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at the moment through their Reconciliation Action Plan so um their WRAP um and just anyway I


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and anyway I can support them because that like they've been a great support to my family.


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No that's not that's really lovely so for people who who might not be familiar the Red Nose um


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involved with the SIDS. So they were they were they're formerly um SIDS and KIDS yeah and they


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amalgamated with SANS which is a South Australian organisation as well so they provide sort of


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education and support um and wonderful programs I guess for families like mine who were quite


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isolated at that time we in Broken Hill we didn't have any like we didn't even have a grief counsellor


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so um I sort of took it upon myself to um get some help not just for me there are a lot of other


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women in the community as well so um I reached out to Red Nose and was lucky enough to have an


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educator come out to Broken Hill and spend time with families but also the health professionals


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as well um just giving them education on how to better support um families who have gone through


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the loss of a child so yeah as much as things were you know really hard at that time I feel like I


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tried to I don't know make positive choices in that situation yeah um sort of helped me


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get through that time yeah and to be able to gain that help for other people and


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I guess there's always a sense of you know you don't you wouldn't wish this on anyone sort of


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feeling so you know you're giving that that help to other people in your community as well


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yeah absolutely but also um I guess you know we've come a long way I have in my family I guess I


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was the third generation who had like lost a child so I had an auntie who'd lost a child and my


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grandmother had lost children as well so just knowing their experience and how unfortunately


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how it was dealt with you know back in those days to how far we've come right now um and the work


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that I'm doing with SIDS and Kids is now about you know getting education out to remote communities


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as well so particularly um you know our remote Aboriginal communities all over the country who


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yeah just need a bit more support and um yeah it's it's a it's a tricky thing there's a lot


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sort of culturally that's you know it's hard like language you know barriers and just just distance


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I guess and access to services so uh that's something I'm very passionate about as well


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hmm yeah good on you for doing that


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when you had you when you first became a mum did you go through like a really big sort of shift in


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your identity where you sort of went who am I now you know am I still Emma I'm someone's mom like


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where do where do I sort of fit in to this yeah oh and I think we all do like it's just that's just


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um goes hand in hand with when you become a parent I when I had Lockie um


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um oh gosh I remember just being so full of anxiety you know am I doing this right what am


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I doing oh he's crying all the time he won't settle for me you know just that total lack of


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confidence um that you have when you're a new mum even though like I had an amazing group of


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friends and my my mum was amazing like I had lots of support um but I found like the first probably


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12 months sort of quite challenging um and then I don't know has as he got older and I felt like


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things got easier and I sort of found my way um I just loved every minute like him and I had such a


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close um relationship you know I stayed at home until he went to school um and then I sort of I


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studied early childhood education as well um because I just thought well I don't have the tools


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so if I go and do a bit of study that's only going to help my relationship you know with my kids so


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and that's been that's been a huge part of my life and still is like that the education and


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that sharing with children is just I don't know they're just amazing like they just have that


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joy that we sort of lose as we get older um and working with them just keeps that sort of relevant


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for me it's still it's always there that joy that they have that sense of wonder at the world and


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yeah I love that totally relate to that I'm an early childhood educator I work in a kindy at the


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moment and it's like they just keep you so like grounded on what's actually important in life and


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what's happening right in front of you oh absolutely you know the worst thing might have happened this


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morning like at home if you know not the worst thing but you know the boys might have given me


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trouble getting them up they didn't want to get up or they can't find their shoes or whatever but


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at work it's like someone finds a rock and that is like the center of attention like this rock


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where did it come from what is it what does it do you know it just brings you back to this


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basis that sense of curiosity and I think that's why I've just been really passionate about early


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childhood education for like the best part of 15 years it's played a huge role in my life


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yeah and I'm really lucky now that I get to go and work in schools sort of with my arts practice and


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sharing like my art techniques and just you know general art I guess techniques and different


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mediums but coupling that with culture as well and just they're like little sponges you know like


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they have just you share one thing with them and you know that that's the thing that they're going


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to go home and talk to their parents about like it's yeah it's amazing it's so much fun it is


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isn't it I just absolutely love it I only came to the industry probably 10 years ago and I just wish


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I had a founder earlier because it's just the best it just keeps you just so I don't know on this other


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level of looking at life I don't know oh and they definitely keep you grounded as well like you know


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you can't like if you haven't been to the hairdresser for a little while and you've got some


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sparkles on the side you know first thing they point out oh geez emma you're looking a bit


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your hair's looking a bit strange today or you've got sparkles in your hair oh yeah I know


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oh nothing gets past them does it they're just so honest so honest


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do you like I know I think it's formally called like artist in residence like do you go into the


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schools and like work in on that sort of capacity with the children yeah well essentially yeah I've


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we I do still call it like an artist in residence so um I have been who in the last little while so


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I went out to work in a bill um you know again that's that like just that when you live remotely


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you don't have the same opportunities as what you do like when you're in a more regional area so


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I'm passionate about you know going out and sharing that with with those kids and they're like


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yeah they have a completely different perspective on everything as well um last week I was over in


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Camperdown and helped um Camperdown college we had six students um in the junior school and then 12


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in the senior school and we created two murals so um yeah it's just expanding I guess their knowledge


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about culture but also reminding them to like not lose their wonder about how amazing nature is um


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yeah and it's interesting like I present a nature collage and just you know when they come up and


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grab the different uh bits and pieces of nature that I've collected you know that just that


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oh like remember when we went to the beach and you know I went to the beach with my family and I saw a


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shell like this or um you know just different bird feathers you know they'll talk about like the one


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time that they got swooped by a magpie and you know just the stories and then I guess that just


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reminds them to be yeah more connected to what's actually around them you know we're such a tech


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a tech heavy society these days so getting back to nature is beneficial like on so you know there's


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there's a gazillion studies about it but just go for a walk and yeah pick up a leaf and have a look


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at it or just go to the beach and have a wander you never know what you're going to find so um


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yeah just that just that gentle reminder to be aware and um be connected. Yeah and the noticing


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of things like I've like we're doing this term we're doing a book called um garden stew so it's all


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the ingredients are all things we find in nature and there's this lovely little quokka that's like


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the star of the book who's gathering all these things together so I've been asking my children


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about just things they notice not necessarily at kindy but when they're on their way to kindy or


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at home and some of the things that they share it's like you plant that little seed and then they


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just start that it's like the whole world's open and like oh I noticed this and I noticed that and


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there's a tree in my backyard I never realized it has these different color leaves and it's just so


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I just love that it's just like boom and it all comes and seeing things in a different way and


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yeah yeah I love it that just that's I guess that's the stuff that fills my cup up um yeah


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so yeah I've done I did camp it down last week I'm heading into work with um two Catholic schools


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in Melbourne and then I come home Friday night and then I head off to Ararat for um a week to work


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with students over there again um we're creating a mural and um I guess I just sort of see my role


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as a facilitator the work the work is like their story and their voice I just sort of give them


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literally the tools and a bit of guidance to help create their own story because I think um


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um it's always really important to share your own story but to hear other people's as well


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yeah that's it isn't there's no point going into to a particular area um and you know putting out


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what you you think or what you feel or whatever it's yeah because we are so different and you


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talked about you know these tiny towns like this Warwick and Beale and Camberdown like they're in


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the middle of like literally nowhere you know it's very different to you know say Waterville so


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everyone's got their their own particular stories that relevant to where they are and how they


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experience life yeah absolutely and it's interesting I guess like just going to Warwick and Beale you


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know the pride that these kids have that they're farm kids and you know they grow they grow the


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stuff that helps the rest of us you know each like it yeah they're so proud of that um and even you


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know in Camberdown you know they they all have farms like they're on dairy farms you know that


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they have whole industries and they know so much about it that you know I was like oh well tell me


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you know what what happens here and what happens there and how many times a year do you guys you


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know harvest your crops and yeah and it was just amazing and these little kids at kinder you know


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their parents were bringing in bags of grain and um chickpeas and stuff that they'd grown at their


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house and I was it was fascinating like really fascinating like just to have that okay it goes


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from like a dust bowl out here in Warwick and Beale on their farm to you know like in our food it's


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but kids have made that connection and it's yeah it's amazing just the pride that they have knowing


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that like their family's contributing that they're literally feeding the rest of Australia yeah it's


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pretty massive thing isn't it I guess it's easy to kind of feel forgotten about when you're you know


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you know um living a bit more remotely than other people but yeah that was and we we really


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celebrated that like in my time there that that um you know they they are really contributing and


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like I would love to go back out there and spend some more time um I guess from me personally just


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learning from them I mean I've not grown up in that environment so yeah yeah that's good isn't


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it and I do love that they're so proud and they should be it's it's wonderful and I think actually


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a lot of city people could kind of learn a lot from them about you know your food doesn't just


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appear in a box or in a packet it actually comes from somewhere and from people working hard and


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you know like I said she actually brought me in you know um all the different things that they


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grow on their farm and the kids were like can you take when you go into the city can you take this


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you know to show the kids and I was like yeah absolutely love that yes yeah yeah because it


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was something I can't even remember what it was now but something's in my mind about the number


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of kids that didn't really know where milk came from I don't know if that I'm thinking of an


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American thing or not and it kind of I thought how could you not know where your milk came from


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like to out to me it's just it's obvious but you know maybe it's not that obvious and then


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someone's told you or you've seen it I don't know I don't know it's like you're right and then I


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guess we talked a lot about um you know they're they're growing things they're living off the


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land and I guess then we link that back to you know um like Aboriginal culture like bush tucker


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that we've we've had these things available to us and if we look after country then you know country


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looks after us so it was really nice to explore those two things sort of side by side as well and


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them then sort of understanding that I mean I grew up sort of you know in a really sort of remote


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place and you'd go out like we were on a property at times and you'd go out there and you'd think


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there's nothing out here like nothing grows and then you know you'd go for a little drive in the


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car and there'd be like a few kwangdong trees you know and then like say like there's food there's


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stuff out there if you know about it so yeah you know that's been interesting for me I guess on my


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own personal journey just um like learning about all the different sort of bush tucker and and


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things like that I've always had that interest anyway but um yeah like digging a bit deeper into


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it so it's been great


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so


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yeah and you mentioned before about um your watercolors that you're making your ochre


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watercolors that would be fascinating too like finding out what color what things make what color


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and that sort of thing yeah and just I guess um like the fascination in how it was made traditionally


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so you know like I go to a school and I'll say to the kids you know what what can you tell me about


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aboriginal art and they'll say you know oh they made paint from rocks and I'm like yeah yeah


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that happened you know so do you know how that happened like oh you know yeah they ground it


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up and they add a bit of water and the second that you tell them that like it needs a binding agent


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you know like it needs to stick together and you and you tell them that you know like traditionally


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we might have used um animal blood or tree sap you know the eyes got bigger sources and you know


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oh how does that happen and you know so just even in exploring like the traditional processes in my


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learning I'm able to then share that with um the kids as well and I went to the Northern Territory


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last year and just was completely fascinated by the rock art and just to know that like that's been


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there for 600 years and that paint that ochre has lasted you know 600 years in a cave yeah and yet


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you know we can go and paint a house and within five years it's faded so yeah it's pretty amazing


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isn't it it's pretty amazing that those just those basic you know elements of nature and you're able


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to create something that lasts you know well beyond our own years and then you've yeah it's amazing


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and I think you know growing up being that collector I've always like yep oh there's a red


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rock or there's a you know that one's white or you know I've always I actually have a collection


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of rocks um probably a bit odd for a 44 I could relate to that too yeah and when you grow up in


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a mining town it's kind of you kind of just yeah it's another it's just a thing yeah it would just


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be part of your of your daily life like just finding interesting rocks it would just you know


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it'd be great yeah I know it's yeah it's weird I quite often laugh that I like just


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innately am like a gatherer and a collector and I think about my ancestors and the women who went


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before me and that was kind of their role as well and it's comforting I guess to know that


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like I'm still doing that and that's going to be passed on in my family as well that yeah just that


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value in nature. Absolutely I love that um I've got a thing like that like with your rocks mine's


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feathers I'm obsessed with feathers and I just oh my oh I just I don't know what it is about and


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whether it's I don't know I like I love birds I think birds are just the most amazing things and


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I have my little favorites that come around to the house and whatever and have a chat with the mag


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pots and things and so I just I don't know it's like you've got this there's this they're so


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unattainable because they can just go you know then they can go wherever they like and they're


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free and to just have a little piece of that is I don't know maybe that's why I like I can hold it


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close to me I don't know it's a funny thing. I know it's a treasure it's a treasure because it's


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a moment in time that's just just that moment I suppose. Yeah yeah and you can't replicate it


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you know as much as I try. And it's interesting like why um you know different different mobs and


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stuff have different um totems and mine is a Willy Wagtail. Ah that's so interesting because


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I've had a Willy Wagtail never before in the last three or four days has been at my front door with


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his beautiful little whistle and I'm like what are you here for like it's still very interesting.


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My family have explained to me that they're messenger birds um so like black and white I


364

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guess you know good messages bad messages when you when you're a Willy Wagtail you don't have a choice


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to have to share the message whether it's good or bad that's that's kind of your your burden or your


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your role I guess so um yeah just fascinated I love birds as well just fascinated by I guess again


367

00:41:20,840 --> 00:41:28,760

that's another just a deeper learning that that I've been lucky enough to um have had shared with


368

00:41:28,760 --> 00:41:34,840

me and yeah. Yeah just on birds just slightly off topic though do you get um carawongs over where


369

00:41:34,840 --> 00:41:43,720

you are? No we don't we have the most amazing um superb fairy wrens you know the little good ones.


370

00:41:43,720 --> 00:41:49,880

Yes yes they're divine but it sucks out only the boys get to be beautiful don't they and the little


371

00:41:49,880 --> 00:41:55,000

girls. Oh I'm just saying with peacocks it's funny oh yes that's so true. I take peacock feathers um


372

00:41:55,640 --> 00:42:00,360

in my little nature collage kit and I always say to the kids you know so these beautiful ones are


373

00:42:00,360 --> 00:42:05,640

they the boy ones or the girl ones and the boy and the boys like oh no yeah they're the boy ones


374

00:42:05,640 --> 00:42:11,720

because they use them to attract the girl ones like yeah they do like you know they show off for


375

00:42:11,720 --> 00:42:17,720

the ladies and they just get hilarious. Yeah I always find that interesting in nature that the


376

00:42:17,720 --> 00:42:23,160

boys get to be so bright and exuberant and then the girls are brown it's like hang on a sec.


377

00:42:25,240 --> 00:42:30,280

I know we're too busy right we're too busy oh I don't know what it is I have to show you


378

00:42:30,280 --> 00:42:40,040

while we're chatting and you know yeah um my auntie sent me these um oh they're magnificent.


379

00:42:40,680 --> 00:42:46,840

Yeah are they oh treasures like they are beautiful so yeah I'll share with the listeners


380

00:42:46,840 --> 00:42:52,040

they're um they're well they're red black what are they called black red black oh you say it.


381

00:42:52,040 --> 00:43:03,160

Yeah the the cockatoos you know the red tail black cockatoos yes the black ones yes oh they


382

00:43:03,160 --> 00:43:10,040

are the most amazing birds but they are divine so yeah I'm like oh my god they're a treasure but


383

00:43:10,040 --> 00:43:15,160

like I want to use them but then like they're too precious you don't want to use them yeah I know


384

00:43:15,160 --> 00:43:20,040

what you mean yeah I've got one like that but it's the yellow one um we get the yellow tail ones


385

00:43:20,040 --> 00:43:25,560

they fly yes between because we've got a lot of pine you know pine plantations here and they fly


386

00:43:25,560 --> 00:43:29,640

between the plantations and every afternoon they come right over the top of my house and there's


387

00:43:29,640 --> 00:43:35,080

only about four sometimes five and they just call to each other as they're going I'm like oh there


388

00:43:35,080 --> 00:43:42,280

they go again it's just so special. And every crazy bird people oh I'm sure there's someone


389

00:43:42,280 --> 00:43:49,160

else listening that gets this isn't there there's got to be. Well I don't know I'll own it anyway


390

00:43:49,160 --> 00:43:57,320

I have no shame. I don't apologize for it I love it and I tell the kids about it at work and last


391

00:43:57,320 --> 00:44:03,480

year there was one little girl who just loved cockatoos and I told her that my mum has a pet


392

00:44:03,480 --> 00:44:10,440

cocky and she ended up just becoming so attached to this bird like I'd bring in photos and videos


393

00:44:10,440 --> 00:44:15,720

of this bird and I said to mum do you think we could bring her in for a visit and mum's like oh


394

00:44:15,720 --> 00:44:21,480

I don't think so Alison because she can be quite moody you know she's got a bit of a bite on her


395

00:44:21,480 --> 00:44:28,040

yes so we decided against that but even yeah this year even though that little girl's going to school


396

00:44:28,040 --> 00:44:33,720

one of her little friends often asks me how's cocky going it's like it's just so lovely that


397

00:44:33,720 --> 00:44:38,440

they remember this and because she's got such a personality and in some of the videos she'd just


398

00:44:38,440 --> 00:44:46,280

do the funniest things and so oh my gosh she's just a cracker she just loves life like that bit


399

00:44:49,480 --> 00:44:52,520

yes that's what I was about to say I think that's why I like them so much because they


400

00:44:52,520 --> 00:44:57,960

they do have distinct personalities and they're just they're they're just like people like


401

00:44:57,960 --> 00:45:01,480

they know what they like and what they don't like and what people they like and what people they


402

00:45:01,480 --> 00:45:08,760

don't like I love emus as well I think you know growing up I was always like oh they're so


403

00:45:08,760 --> 00:45:15,880

beautiful and and then you go to tower hill here which is um just outside of warnable and you know


404

00:45:15,880 --> 00:45:20,680

they're so used to people they sort of come right up to you and you think oh god they're gonna like


405

00:45:22,680 --> 00:45:26,600

for that second that little bit of fear creeps in and you're like okay I'll just put my hand


406

00:45:26,600 --> 00:45:33,240

out so that I'm taller than them and that'll scare them away and and then at the same time I'm like


407

00:45:33,240 --> 00:45:39,720

following them hoping that they might like drop a feather or something I did that recently actually


408

00:45:39,720 --> 00:45:45,880

it's my son my eldest son Alex he loves emus he's just got this thing for emus wherever we go if he


409

00:45:45,880 --> 00:45:50,920

sees one he'll just go over to it and just like like obviously this isn't in the wild because


410

00:45:50,920 --> 00:45:57,400

they run away from us um but yeah like where were we we're on the gold coast recently at the uh


411

00:45:57,400 --> 00:46:04,200

carowar no what was it called um carumbin burn sanctuary and there was this emu up there and I


412

00:46:04,200 --> 00:46:09,560

was patting him and I was hoping that one of his beautiful feathers would just fall out conveniently


413

00:46:09,560 --> 00:46:13,880

accidentally you know I kind of got a hold one I thought no Alison don't do it


414

00:46:13,880 --> 00:46:20,760

it's like my son's up up at his face and like distracting or like trying to nick


415

00:46:20,760 --> 00:46:25,640

feathers no that wouldn't have been very kind so no I didn't do that but I did cross my mind


416

00:46:27,960 --> 00:46:33,640

oh my gosh I'm a forager I'd be too scared I don't take yeah I only take what's what's already


417

00:46:33,640 --> 00:46:40,600

dropped on the grip yes yes yes no that that's very funny um yeah thanks for indulging my bird


418

00:46:40,600 --> 00:46:46,840

talk there oh that's okay that's fine I've actually like I've been painting emu feathers like just


419

00:46:46,840 --> 00:46:56,200

so inspired by them um just the little detail and how fine and soft they are and yeah they're pretty


420

00:46:56,200 --> 00:47:01,960

amazing like I don't know if people might have to google them but they are incredibly small like


421

00:47:01,960 --> 00:47:06,920

when like you see this bird but then the like when you take it like they're like ostrich feathers


422

00:47:06,920 --> 00:47:11,160

kind of where they've got like all the strings but then on the strands they're just so minute


423

00:47:11,160 --> 00:47:15,880

I know incredible aren't they yep they make them go blind painting them like


424

00:47:18,760 --> 00:47:25,080

could have picked a simpler feather so and then you know they're okay emu feathers and then dragon


425

00:47:25,080 --> 00:47:37,960

fly so yeah yeah yeah all those tiny little veins detail it's all about the detail oh goodness


426

00:47:55,880 --> 00:48:03,560

did you find that after you became a mum that your painting changed like whether the way you


427

00:48:03,560 --> 00:48:12,440

had to do the work or what inspired you changed after you became a mum well that's a good question


428

00:48:14,040 --> 00:48:22,840

um I think I don't know my poor kids whenever I do something they're just it's just around them


429

00:48:22,840 --> 00:48:31,160

like they're just yeah so at the moment like we're in a small townhouse and I've literally got you


430

00:48:31,160 --> 00:48:36,760

know seven or eight canvases on the go around me so yeah they've always been surrounded by whatever


431

00:48:37,480 --> 00:48:42,760

um whatever I'm creating so you know whether it's sewing you know when they were


432

00:48:43,320 --> 00:48:48,120

younger and I was screen printing you know we'd like we would have fun doing it together like


433

00:48:48,120 --> 00:48:54,920

I feel like that they've always been um involved in some way like and I've


434

00:48:56,920 --> 00:49:02,280

I've really tried to nurture that in them you know and I guess they're a bit older now and it's not


435

00:49:02,280 --> 00:49:07,400

really their their thing but that was a really strong connection for us to have like when they


436

00:49:07,400 --> 00:49:15,320

were younger that we did these things together and they were a part of yeah whatever whatever I was


437

00:49:15,320 --> 00:49:20,920

doing and even now you know like I'm making the ochre and stuff and Fraser who's 12 you know he'll


438

00:49:20,920 --> 00:49:28,280

come over and like so what what are you doing you know um yeah I think I just I don't know I think


439

00:49:28,280 --> 00:49:34,680

again it's that I just have the I just want to share what I'm doing with them like and so then


440

00:49:36,680 --> 00:49:42,760

yeah they they are a part of it as well um and it's hard when you work from home to separate


441

00:49:42,760 --> 00:49:49,080

those two things as well um and I've been lucky that I have been able to spend a lot of time in


442

00:49:49,080 --> 00:49:56,520

my arts practice working at home so yeah um yeah I don't know it's I think it's an inclusive


443

00:49:57,400 --> 00:50:03,320

sort of style I guess that I've wanted to include them as much as I can in whatever I'm doing


444

00:50:03,880 --> 00:50:10,760

yeah and teach them as well I mean you know they've they both can sew and they probably could


445

00:50:10,760 --> 00:50:17,480

whip up a screen print if you reminded them how to do it but you know that's not cool now but you


446

00:50:17,480 --> 00:50:24,440

know yeah I know what you mean so they'll be able to darn their socks get hold of them


447

00:50:24,440 --> 00:50:30,680

when after a lot of maybe I don't know I don't know some things might have gone in one ear and


448

00:50:30,680 --> 00:50:44,440

out the other but anyway skills for life right yeah that's it yeah


449

00:51:01,000 --> 00:51:07,640

So within that it was there an element of also wanting them to see that their mum can also do


450

00:51:07,640 --> 00:51:13,000

things that don't involve being their mum so you can do things just for yourself?


451

00:51:14,280 --> 00:51:19,160

Oh I think we've I think my husband and I have raised our kids to


452

00:51:21,400 --> 00:51:25,640

want to explore things like whatever it is you know whatever their passions are yep go and have


453

00:51:25,640 --> 00:51:32,200

a crack you know like if you want to try karate go and go and try it like have your own identity as


454

00:51:32,200 --> 00:51:38,680

well like you you know home and your family will always be your safe space but don't be scared to


455

00:51:38,680 --> 00:51:45,000

go out and try other things and I and I think that probably sort of was amplified after Asher died


456

00:51:45,000 --> 00:51:53,640

like Loki was three and a half when that happened you know so I guess for that that couple of years


457

00:51:53,640 --> 00:52:04,600

after that I guess like sewing became my grief work that was what I sort of used to help me through


458

00:52:04,600 --> 00:52:14,760

that time and so it's always been my sort of safe place to come back to and I think my kids just see


459

00:52:14,760 --> 00:52:21,080

that as my creativity is just part of my identity and you know they're kind of they're not really


460

00:52:21,080 --> 00:52:30,040

separated yeah but I guess yeah it just comes back to like have a go at something if you want to


461

00:52:30,680 --> 00:52:33,960

if you want to try it have a go like you don't have anything to lose


462

00:52:35,160 --> 00:52:39,960

yeah it's great advice isn't it like you said life's short and you just if you want to do


463

00:52:39,960 --> 00:52:46,840

something just make find a way to do it yeah I mean look I you know I probably in hindsight


464

00:52:46,840 --> 00:52:51,960

there's probably a few things I maybe should have pondered a little bit more like um you know when


465

00:52:51,960 --> 00:52:57,160

I had my shop in Broken Hill I started it with like 70 bucks and I was like oh yeah I'll just


466

00:52:57,160 --> 00:53:03,640

have a shop and you know you know rounded up a few bits of furniture and had a friend make me a bench


467

00:53:03,640 --> 00:53:09,720

and away we went we sort of you know just yeah you don't have to have the best of everything but you


468

00:53:10,440 --> 00:53:16,520

you can still try things it's it's not necessarily about you know going out and buying all of the


469

00:53:16,520 --> 00:53:22,600

stuff for whatever it is it's just having a little taste of everything and and sort of really finding


470

00:53:24,200 --> 00:53:30,520

what makes you feel content yeah yeah and you can always build on things as you go you don't


471

00:53:30,520 --> 00:53:36,680

always have to have it all ready to go right at the start yeah yeah and I think also as well just that


472

00:53:36,680 --> 00:53:44,920

um that creativity is so good for like self-regulation not just for adults but


473

00:53:44,920 --> 00:53:52,760

for kids as well and I think um you know maybe COVID highlighted that for all of us like we


474

00:53:52,760 --> 00:54:01,000

we did have that time to slow down and and stop and go slow and take things in um


475

00:54:03,160 --> 00:54:08,040

yeah I don't know yeah just something I'm throwing out no but that's the thing isn't it when you've


476

00:54:08,040 --> 00:54:13,240

got time you can actually think about what you enjoy doing and what sort of like you said fills


477

00:54:13,240 --> 00:54:19,400

you up and makes you feel good and yeah having I think in life we don't get those times unless we


478

00:54:19,400 --> 00:54:25,480

truly seek them out yeah it's like life just goes and goes and goes and goes um yeah so I think


479

00:54:25,480 --> 00:54:30,200

yeah it's so important to have something that's yours I really think especially as a mum and even


480

00:54:30,200 --> 00:54:36,200

in a partnership you know having something that that you know you don't always have to do everything


481

00:54:36,200 --> 00:54:39,960

with your partner you don't have to share every single interest you can have things that you want


482

00:54:39,960 --> 00:54:47,640

to do that don't involve anyone else uh my husband's just um started a punk band that oh good for him


483

00:54:47,640 --> 00:54:53,960

so like he's just you know that's his thing he goes off and does that um I think our kids


484

00:54:54,920 --> 00:54:59,640

I don't know they they always say to us you know how proud they are that you know like dad's


485

00:55:00,280 --> 00:55:04,360

dad's got the guts to get up and sing in front of other people whereas I there's no way I


486

00:55:04,360 --> 00:55:11,960

could do that um but you know being in situations I guess with my um arts practice and


487

00:55:13,160 --> 00:55:18,120

you know like collabs and different things where it's been quite public my kids are really proud


488

00:55:18,120 --> 00:55:24,840

of that that I've like put myself out there um and even you know when you do those things sometimes


489

00:55:24,840 --> 00:55:31,400

like they can be quite challenging as well so I think modeling how you handle that's really


490

00:55:31,400 --> 00:55:38,680

important as well for your kids you know I think they're always like you know sunshine and lollipops


491

00:55:38,680 --> 00:55:44,520

and you've got to learn to navigate the hard things as well yes that that's it isn't it if


492

00:55:44,520 --> 00:55:49,160

they're not just seeing the outcome if it's all positive that's great but they're actually seeing


493

00:55:49,160 --> 00:55:54,360

the process and you know working through things like you said if things aren't quite going how


494

00:55:54,360 --> 00:55:59,080

you expect how you deal with that and that's that's so important because as we know kids


495

00:55:59,080 --> 00:56:04,440

they learn from what they see you're not necessarily what you tell them so very true


496

00:56:04,440 --> 00:56:27,400

a


497

00:56:27,400 --> 00:56:37,480

One of the things I like to talk to all my guests about is this concept of mum guilt


498

00:56:37,480 --> 00:56:42,680

and I put that in air quotes because it's such a contrived term, like it's a term that's


499

00:56:42,680 --> 00:56:54,120

been made up, I think, by Western society. Do you have any thoughts on mum guilt?


500

00:56:54,120 --> 00:57:05,440

It's almost palpable at times for me, just that, I don't know, I guess in the last couple


501

00:57:05,440 --> 00:57:11,760

of years I've really like travelled a lot for work and I've been away and last year


502

00:57:11,760 --> 00:57:16,480

I was away a lot while Lockie was doing Year 12 and I sort of thought, oh I really need


503

00:57:16,480 --> 00:57:24,320

to be at home more. But then I was really proud of him because he was able to achieve


504

00:57:24,320 --> 00:57:29,800

great things even when I wasn't there, I mean, I wasn't physically here, I was obviously


505

00:57:29,800 --> 00:57:36,240

like calling and all that sort of stuff. But yeah, I do find it really tricky to have that


506

00:57:36,240 --> 00:57:44,400

balance where you're giving everyone enough of yourself and then still filling your own


507

00:57:44,400 --> 00:57:51,840

cup up. So yeah, I do feel like I get pulled in a lot of different directions quite often


508

00:57:51,840 --> 00:57:58,240

and I know my kids are proud of me for going out there and doing things but then I guess


509

00:57:58,240 --> 00:58:03,440

it's something that I put on myself, that I have that, oh I should be at home. But then


510

00:58:03,440 --> 00:58:10,320

I don't, I've never had that traditional sense that I need to be a homemaker either, that's


511

00:58:10,320 --> 00:58:20,360

not part of my life that I've sort of, I don't know, wanted to explore. Like I love being


512

00:58:20,360 --> 00:58:25,820

at home and I am a real homebody when I'm at home but I also love getting out and like


513

00:58:25,820 --> 00:58:32,320

experiencing new things. But even when I've been able to do that, I guess like last year


514

00:58:32,320 --> 00:58:35,160

I said I went to the Northern Territory, I would have loved for my kids to have been


515

00:58:35,160 --> 00:58:44,240

there and so yeah, I don't know, it's a tricky thing. I don't know if it's something that


516

00:58:44,240 --> 00:58:50,680

I like let anyone else sort of put on me but I certainly feel a bit torn at times, you


517

00:58:50,680 --> 00:58:55,360

know, am I spending too much time away or am I home enough or yeah.


518

00:58:55,360 --> 00:59:00,920

Yeah, that is something that someone said the other day, those exact words, it's not


519

00:59:00,920 --> 00:59:07,280

something anyone else is putting on me, that's me saying this stuff. And it's like then it


520

00:59:07,280 --> 00:59:11,400

makes it tricky then because it's like it's up to you to try and not think that stuff,


521

00:59:11,400 --> 00:59:13,920

you know, it's challenging.


522

00:59:13,920 --> 00:59:22,160

It really is but you know, we're lucky now in that you know, like our kids have phones,


523

00:59:22,160 --> 00:59:28,200

you know, you can always just give them a ring, your FaceTime or whatever and you know,


524

00:59:28,200 --> 00:59:35,160

you can maintain that connection I suppose that maybe you couldn't have a few years ago.


525

00:59:35,160 --> 00:59:36,680

Yeah, that's so true.


526

00:59:36,680 --> 00:59:44,920

It's easier to stay in touch and I think I made a very conscious decision like this year


527

00:59:44,920 --> 00:59:49,080

to wherever I can involve my family a bit more in, you know, if I'm travelling into


528

00:59:49,080 --> 00:59:53,200

Melbourne or whatever and if I'm in there for a couple of weeks like the boys come in


529

00:59:53,200 --> 00:59:59,600

and we go to the footy or something so you know, it's that balance of doing things together.


530

00:59:59,600 --> 01:00:07,000

Yeah, that's it isn't it? Because it's like, I guess you probably, fair to say like it's


531

01:00:07,000 --> 01:00:12,160

you couldn't give up that part of your life because then the rest of your life would suffer.


532

01:00:12,160 --> 01:00:16,240

You know, you couldn't give up your artistic endeavours because then you wouldn't be the


533

01:00:16,240 --> 01:00:17,240

person that you are.


534

01:00:17,240 --> 01:00:25,280

I'd be miserable. When we first moved here, you know, everything was in storage because


535

01:00:25,280 --> 01:00:29,280

we were waiting like we had a little unit and then we were waiting to move into our


536

01:00:29,280 --> 01:00:34,200

house and everything was in storage and I reckon it was about almost a year later and


537

01:00:34,200 --> 01:00:40,960

I got my sewing machine out and I just had that huge like reminder of, oh, I have missed


538

01:00:40,960 --> 01:00:44,200

this so much, you know?


539

01:00:44,200 --> 01:00:51,600

And I felt like my old self again. Yeah, like, yeah, it's weird that just doing that thing


540

01:00:51,600 --> 01:00:56,880

that's always been there and that creativity just made me feel like me again. I felt like


541

01:00:56,880 --> 01:00:57,880

I'd been missing.


542

01:00:57,880 --> 01:01:03,680

Yeah, yeah, absolutely can relate to that. Yeah. I think that's a pretty common thing


543

01:01:03,680 --> 01:01:09,760

that people I chat to, it's like it's just an integral part of who they are.


544

01:01:09,760 --> 01:01:14,200

Yeah, you can't separate. I don't think you can separate it when you're a creative. I


545

01:01:14,200 --> 01:01:16,720

don't think there is that separation.


546

01:01:16,720 --> 01:01:22,840

Yeah, which makes mothering all the more difficult. You know, it's like you've got half your brains


547

01:01:22,840 --> 01:01:27,560

in mum mode and half your brains in art mode and they cross over and then, you know, one


548

01:01:27,560 --> 01:01:29,560

takes over and the other one takes over.


549

01:01:29,560 --> 01:01:33,920

Yeah, and that takes over your whole house as well when you have no room and you're painting


550

01:01:33,920 --> 01:01:38,400

on the kitchen floor and I can't remember the last time we actually sat around our kitchen


551

01:01:38,400 --> 01:01:43,240

table. Yeah, we ate a meal together because like it's covered, like it's literally covered


552

01:01:43,240 --> 01:01:49,040

in paint brushes and paint and yeah, I've got canvases all over the place and, you know,


553

01:01:49,040 --> 01:01:53,920

they just walk around stuff now. It's not even like, are you going to clean this stuff


554

01:01:53,920 --> 01:01:58,800

up mum? It's just like, oh yeah, we'll just step over the canvas and moving right along.


555

01:01:58,800 --> 01:02:00,800

Yeah, that's it.


556

01:02:00,800 --> 01:02:06,200

But it's not like, you know, when Fraser gets home from school, I usually like stop


557

01:02:06,200 --> 01:02:12,920

for an hour or so just to, you know, wind down with him and yeah, like Lachie's studying


558

01:02:12,920 --> 01:02:18,760

from home. So, you know, when he comes up and has lunch and stuff, you know, just yeah,


559

01:02:18,760 --> 01:02:23,560

being at home and touching it, touching base and you know, checking in on how he's going


560

01:02:23,560 --> 01:02:29,800

and stuff. So yeah, it's, I'm very lucky to work from home. Yeah, I feel very lucky to


561

01:02:29,800 --> 01:02:30,800

have that experience.


562

01:02:30,800 --> 01:02:36,040

Yeah, yeah. No, that is nice, isn't it? It does make it tricky that I've talked to people


563

01:02:36,040 --> 01:02:40,240

who work from home. It's like they're in the middle of painting and they might hear the


564

01:02:40,240 --> 01:02:44,680

dishwasher stop or the beef of the washing machine. They're like, oh, I better just do


565

01:02:44,680 --> 01:02:48,040

that. And then it turns into, oh, I better just do this and better just do this. And


566

01:02:48,040 --> 01:02:53,160

then it just rolls on me like, oh, that's right. I was meant to be doing my painting.


567

01:02:53,160 --> 01:03:00,320

What's the opposite in my house? I start painting, I become obsessed and then it's like, oh,


568

01:03:00,320 --> 01:03:04,960

we're out of clean undies guys. Hang on, I'll have to quickly do a couple of loads of washing


569

01:03:04,960 --> 01:03:14,440

and you know, like, oh, just that tidying, you know, like I get so, I'm just so into


570

01:03:14,440 --> 01:03:18,920

like my artwork. What you're doing. Yeah. And I'm, you know, I'm so lucky my husband


571

01:03:18,920 --> 01:03:23,840

does the cooking and so, you know, I don't, I kind of don't have to stop. So I guess the


572

01:03:23,840 --> 01:03:31,800

tricky thing in that really is that it's hard for me to know when to clock off and actually


573

01:03:31,800 --> 01:03:37,720

just tools down for the day and separate work from, you know, just chilling out at home.


574

01:03:37,720 --> 01:03:42,320

Yeah. Just sitting here, it'll be like, oh, well, I'll just do another coat on that or,


575

01:03:42,320 --> 01:03:47,320

you know, add a little bit here and then, yeah. And it's, oh, it's time to go to bed.


576

01:03:47,320 --> 01:03:54,320

Oh, sorry. I haven't actually talked to my family tonight. Sorry guys. Oh dear. So is


577

01:03:54,320 --> 01:03:58,240

that pretty common that you'll have like so many different ones on the go at once? Is


578

01:03:58,240 --> 01:04:04,120

that sort of how you like to work? Yeah, I think that's just how my brain works. And


579

01:04:04,120 --> 01:04:14,080

also like there's so many layers to Aboriginal art. So, you know, I might have a base coat


580

01:04:14,080 --> 01:04:19,920

on this one happening and then be blocking in things on the next one. And, you know,


581

01:04:19,920 --> 01:04:27,000

then you've got to wait for the things to dry in between. And like, I might have, you


582

01:04:27,000 --> 01:04:32,680

know, works happening for a show and then a commission piece as well. And then I'm like,


583

01:04:32,680 --> 01:04:38,000

like I said, I'm trying out different ochre. So I'm like, I just, yeah. And then I'll have


584

01:04:38,000 --> 01:04:41,760

a little play, like a little like reward, I suppose, you know, like I've worked really


585

01:04:41,760 --> 01:04:46,760

hard on this one and now I just want to have a play. And I think that's really important


586

01:04:46,760 --> 01:04:53,760

to give myself that time to just like mess around and not, because when it's your full


587

01:04:53,760 --> 01:04:58,960

time job, I don't ever want it to feel like a job. And I'm lucky that it doesn't because


588

01:04:58,960 --> 01:05:05,360

I absolutely like, I'm just so lucky to be doing what I do every day. But then I, yeah,


589

01:05:05,360 --> 01:05:10,800

I don't want it to get stale. So yeah, yeah. It's important to have those times we almost


590

01:05:10,800 --> 01:05:15,240

like that curiosity of, well, what happens, what happens, you know, messing around, like


591

01:05:15,240 --> 01:05:20,760

you said, about all the different things you like to do. It's like, that keeps you fresh.


592

01:05:20,760 --> 01:05:26,520

That keeps you going. Yeah, for sure. Yeah. Yeah. And just like talking to other, talking


593

01:05:26,520 --> 01:05:32,860

to people, you know, when I go and do a weaving workshop or something, like just that connection


594

01:05:32,860 --> 01:05:36,520

that you have with other people and hearing about their life experiences as well. I think


595

01:05:36,520 --> 01:05:44,160

that's like, that's amazing that I get to do that. And I, yeah, I just feel really grateful


596

01:05:44,160 --> 01:05:52,960

that people are willing to share their experiences as well. Yeah. Yeah. It's that, I guess that


597

01:05:52,960 --> 01:05:58,680

connection. Like I've grown up in a massive family and like my mum has six sisters and


598

01:05:58,680 --> 01:06:02,720

a brother, you know, so there was heaps of aunties and uncles, heaps of cousins, and


599

01:06:02,720 --> 01:06:07,600

you had to sort of be loud to be heard. So it's nice when you go and work in a small


600

01:06:07,600 --> 01:06:12,720

group and everyone sort of, you know, gets their little moment to share and... Yeah.


601

01:06:12,720 --> 01:06:17,480

You're not competing with the airtime. I'm very, I can be very loud. I'm very aware


602

01:06:17,480 --> 01:06:22,320

that I can be very loud. So, all right. Just need to tone it down a little bit. Well, that's


603

01:06:22,320 --> 01:06:52,240

funny. Yes. So you mentioned some things you're working on. Do you have anything


604

01:06:52,240 --> 01:06:57,840

specific coming up that you're working towards? Like anything you want to mention that's coming


605

01:06:57,840 --> 01:07:02,960

up in the near future? I have a few projects on the go, but I can't, I'm not allowed to


606

01:07:02,960 --> 01:07:12,480

talk about them. Yeah. And they're like, they're amazing things, amazing opportunities. And


607

01:07:12,480 --> 01:07:20,840

I just pinch myself, you know, I'm this chick from the bush, like just, it blows my mind


608

01:07:20,840 --> 01:07:30,080

often that I, I'm in the situation that I'm in. And so, you know, to be like working with


609

01:07:30,080 --> 01:07:36,280

companies like Maya, you know, like to have my work in their shops, like nationally, like


610

01:07:36,280 --> 01:07:45,240

that's just pinch me stuff. And like that just, yeah, it still just blows my mind. And


611

01:07:45,240 --> 01:07:51,280

working with, you know, like the South Side Flyers, the women's basketball team, you know,


612

01:07:51,280 --> 01:07:57,680

I was so grateful to go and spend a week with them in Tassie last year for the indigenous


613

01:07:57,680 --> 01:08:03,920

round, you know, design their Jersey and had such a strong connection with them. And just


614

01:08:03,920 --> 01:08:11,040

spending that time, it's like, like, I never would have dreamed of this when I was a kid,


615

01:08:11,040 --> 01:08:23,240

but I could be, yeah, living this amazing life and meeting really interesting people.


616

01:08:23,240 --> 01:08:30,280

And I guess connecting with other women who are doing the same sort of thing, and then


617

01:08:30,280 --> 01:08:35,160

just the experience of the flyers, like these are young female professional athletes and


618

01:08:35,160 --> 01:08:42,400

learning that, you know, the disparity in their pay rate, what the men earn and, you


619

01:08:42,400 --> 01:08:48,680

know, I'm not a raving feminist, but, you know, just little things like that, I guess


620

01:08:48,680 --> 01:08:53,720

it's an eye opener and you don't pay much attention to it until you get to see it up


621

01:08:53,720 --> 01:09:00,520

close and personal, like how hard they work and all that sort of stuff. So, yeah, I love,


622

01:09:00,520 --> 01:09:09,080

I love that there's an element of like, being able to support other women in what I do and


623

01:09:09,080 --> 01:09:17,000

being a role model for young girls as well to just to have a go at things and don't let


624

01:09:17,000 --> 01:09:25,460

your own self like hold you back because we do that all the time. And I think that's something


625

01:09:25,460 --> 01:09:32,520

that has frustrated me about myself for a lot of years, like my own insecurities, I


626

01:09:32,520 --> 01:09:38,720

don't think I can do that. So yeah, I think just, but you know, that comes with age, doesn't


627

01:09:38,720 --> 01:09:39,720

it?


628

01:09:39,720 --> 01:09:41,720

Oh, absolutely. Oh, yeah.


629

01:09:41,720 --> 01:09:44,960

Eventually get to that stage where you're like, no, I'm just going to do what I want


630

01:09:44,960 --> 01:09:45,960

to do.


631

01:09:45,960 --> 01:09:50,920

Yeah, I feel like in your 40s, you literally don't give a toss. You're just going to do


632

01:09:50,920 --> 01:09:54,260

what you want. You don't care what people think anymore. You know, you've gone through


633

01:09:54,260 --> 01:10:00,240

those years of worrying what, what people's judgment is going to be like, nah, I'm just


634

01:10:00,240 --> 01:10:01,240

going to do stuff.


635

01:10:01,240 --> 01:10:08,600

Yeah, for sure. Yep, absolutely. That's yeah. I don't know. So I guess in terms of projects


636

01:10:08,600 --> 01:10:16,320

coming up, yeah, I've got lots of schoolwork that I'm really excited about. I've got a


637

01:10:16,320 --> 01:10:24,440

trip to the Northern Territory for early childhood education, which like that's amazing just


638

01:10:24,440 --> 01:10:30,600

to connect with other educators and hear, hear about different things that they're doing.


639

01:10:30,600 --> 01:10:39,200

I've been quietly working away, I guess at some early childhood resources as well. Like


640

01:10:39,200 --> 01:10:44,800

your inner service, things that I would want to use. And I'm like, oh, they don't, it's


641

01:10:44,800 --> 01:10:50,160

not here. So, you know, how can I create something that will fill that space?


642

01:10:50,160 --> 01:10:51,160

That's exciting.


643

01:10:51,160 --> 01:10:55,360

Yeah. The other stuff I can't really talk about.


644

01:10:55,360 --> 01:11:01,280

That's all right. Damn it. We understand. You just have to keep an eye on your, on Instagram


645

01:11:01,280 --> 01:11:02,720

or Facebook. Where are you most active?


646

01:11:02,720 --> 01:11:06,560

Yeah, I'm on all of those things. On the socials.


647

01:11:06,560 --> 01:11:13,440

Yeah, beautiful. I'll put links in the show notes of your, all your socials and things


648

01:11:13,440 --> 01:11:15,120

so people can find you.


649

01:11:15,120 --> 01:11:20,320

But I have got my work in some galleries around the place, which is like, I'm really lucky


650

01:11:20,320 --> 01:11:24,600

to have their support and their sort of promotion as well. And then yeah, I sort of have my


651

01:11:24,600 --> 01:11:29,000

print work and all that sort of stuff through my website. But I guess the big thing at the


652

01:11:29,000 --> 01:11:37,440

moment is yeah, launching my fabric. So I was, that's a childhood dream and that sort


653

01:11:37,440 --> 01:11:38,440

of happening and


654

01:11:38,440 --> 01:11:40,440

Yeah, that's fantastic.


655

01:11:40,440 --> 01:11:50,920

Wow, there's a lot to learn. And being, you know, very environmentally conscious and,


656

01:11:50,920 --> 01:11:54,920

you know, wanting to know the supply chain and all of that sort of stuff. So that's been


657

01:11:54,920 --> 01:12:03,080

a very steep learning curve. Just, yeah, huge loads of information that you have to try


658

01:12:03,080 --> 01:12:08,640

and absorb and then work out which direction you want to go in. But gee, it's like, it's


659

01:12:08,640 --> 01:12:13,480

a, it's a whole feeling when you wear something that you have designed yourself like that's


660

01:12:13,480 --> 01:12:14,480

just


661

01:12:14,480 --> 01:12:17,000

Yeah, that'd be, that'd just about top it off, wouldn't it? That'd just be the best.


662

01:12:17,000 --> 01:12:21,680

And I think, you know, having that, like watching my nan sew with all those beautiful fabrics


663

01:12:21,680 --> 01:12:25,600

all those years ago is just kind of stuck with me that like that's something I always


664

01:12:25,600 --> 01:12:30,800

wanted to do. And now I've realised that it's like, wow, that's actually happening.


665

01:12:30,800 --> 01:12:36,560

Oh, congratulations. That is exciting. So that people can see that through your website


666

01:12:36,560 --> 01:12:37,560

as well. That's all


667

01:12:37,560 --> 01:12:38,560

Yeah, yeah.


668

01:12:38,560 --> 01:12:43,360

And they're beautiful. That's awesome. No, thank you. It's been lovely to chat with you.


669

01:12:43,360 --> 01:12:44,360

Thanks for coming on.


670

01:12:44,360 --> 01:12:50,400

Thank you so much. Thank you so much. Yeah, I love your work.


671

01:12:50,400 --> 01:12:55,480

Thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving


672

01:12:55,480 --> 01:13:01,000

us a review, following or subscribing to the podcast, or even sharing it with a friend


673

01:13:01,000 --> 01:13:07,120

you think might be interested. If you or someone you know would like to be a guest on the podcast,


674

01:13:07,120 --> 01:13:11,680

please get in touch with us by the link in the show notes. I'll catch you again next


675

01:13:11,680 --> 01:13:40,240

week for another chat with an artistic mom.


676

01:14:11,680 --> 01:14:33,840

I don't know what's on the weekend, even though wanting a rebrand, kicking it up on the rampage.


677

01:14:33,840 --> 01:14:54,660

And the


678

01:14:54,660 --> 01:14:58,660

Collect all this gold energy


679

01:14:59,660 --> 01:15:05,660

Boil my energy, as I press the gold energy


680

01:15:05,660 --> 01:15:09,660

Collect all this gold energy


681

01:15:09,660 --> 01:15:13,660

Collect all this gold energy


682

01:15:13,660 --> 01:15:28,660

Collect all this gold energy


683

01:15:28,660 --> 01:15:43,660

Collect all this gold energy



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